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Lenajaan:
Painter, Graphic Designer, Choreographer,
Dancer and Teacher (trainer) of Oriental dances (Art forms), Certified
teacher and Bachelors Degree in Fine Arts.
Oriental , Russian gypsy , “Mujhra”, Pakistani Bhangra, Punjabi
and Silk Route forms of dances.
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Lenajaan was born in Caucausian region . She grew
up in a family of artists and musicians. She learnt Ballet and Folklore
and performed in the Folklore Ensemble of the Dance School for various
concerts and competitions.
Her travel with her family through Siberia and Central Asia (Uzbekistan,
Turkmenistan and Kazakhstan), which lasted a few years lingered in
her memories and completely transformed her in the direction of art
and culture. The family lived near the Afghan borders as the Soviet
army marched into Afganistan. They returned back to Caucaus on grounds
of safety.
Right from her childhood Lenajaan was interested in Oriental and Indian
dance. During those days, Bollywood films was “Opium for the public”
– blooming gardens where richly adorned beautiful Princess sang and
danced. She soon started to design costumes and choreograph for herself
and her friends.
Lenajaan studied Foreign Languages and completed her Teachers’ training.
During her student life in Moscow, she learnt Reggae, Samba, Salsa,
Merengue and Afrodance.
After her move to Germany, she saw a show in Hannover organised by
Nasra Eid. This show spurred her enthusiasm to learn Classical Oriental
dance. She participated in the world renowned dancer, Leyla Jouwana’s
workshop and performances held in Duisburg and other cities.
The meeting with Molly Roy of Calcutta, a world famous Kathak and
Bharathyanatyam dancer and the intensive study of Kathak has influenced
Lenajaan’s expressions and style as dancer.
She successfully completed her studies in Free Art in the Bauhaus
University, Weimar and is a Qualified Artist.
Lenajaan has performed in various multicultural events as a Solodancer
and also with her students.
Her performance is the highlight of the festivities of the Indian
and Pakistani societies. Since the last few years her performance
in the Diawli programme (the biggest religious festival in India)
is a certainity.
Her dance is characterised by very good asthetics. With her own choreograph,
she captivates her audience and emotionally carries them along. Her
knowledge of Indian cinematography, allows her to present a very special
dimension in her dance which brings back the old legends and wins
the hearts of not only the Indians and Pakistanis but also those of
Iranians and Arabians. Her European origin is completely forgotten
as she enthralls her audience.
The costumes are authentic, very expensive and made of costly textiles
and materials and results of her own designs.
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